A damning confrontation between the American dream and the reality of undocumented children seeking a new life in the US.
A damning confrontation between the American dream and the reality of undocumented children seeking a new life in the US.
A searing, enlightening polemic about the tens of thousands of unaccompanied Mexican and Central American children arriving in the US without papers ‘It is not even the American dream they pursue, but rather a more modest aspiration: to wake up from the nightmare into which they were born.’
"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books
One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.
"Lily hasn't always had it easy, but that's never stopped her from working hard for the life she wants. She's come a long way from the small town in Maine where she grew up--she graduated from college, moved to Boston, and started her own business. So when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily's life suddenly seems almost too good to be true ... But Ryle's complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his 'no dating' rule, she can't help but wonder what made him that way in the first place"--
Now a Major Motion Picture starring Emma Watson and Tom Hanks. A bestselling dystopian novel that tackles surveillance, privacy and the frightening intrusions of technology in our lives. When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company’s modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can’t believe her luck, her great fortune to work for the most influential company in the world—even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.
Gabrielle Civil's Swallow the Fish is a memoir in performance art that explores the medium from within its beating heart. Adding its voice to black feminist conversations, it combines essays, anecdotes, and meditations with original performance texts to confront audience, motivation, and fears. Both joy and panic appear in Civil's world of performance, where neither walls nor city limits set the scope of the stage. Civil bares vulnerabilities and enthralls readers, asking essential questions and embodying dreams.
The son of a zookeeper, Pi Patel has an encyclopedic knowledge of animal behavior and a fervent love of stories. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes. The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true?
The creator of the incredibly popular webcomic xkcd presents his heavily researched answers to his fans' oddest questions, including “What if I took a swim in a spent-nuclear-fuel pool?” and “Could you build a jetpack using downward-firing machine guns?” 100,000 first printing.
Collapsing narratives and the perils of translation from "one of the most important new voices in Mexican writing." (Alma Guillermoprieto)
An exploration of coincidences of history, light, space, duration, chaos theory, mathematics, memory, and Walter De Maria's Lightning Field.
An antidote to despair about our turbulent times from writers including Junot Díaz, Karen Joy Fowler, Claire Messud, Celeste Ng, Hari Kunzru and Jane Smiley. In the tradition of Ta-Nehisi Coates' BETWEEN THE WORLD AND ME and James Baldwin, RADICAL HOPE is a collection of love letters - to ancestors, to children five generations from now, to strangers in supermarket queues, to any and all who feel weary and discouraged - written by award-winning novelists, poets, political thinkers, and activists. Provocative and inspiring, RADICAL HOPE offers readers a kaleidoscopic view of the love and courage needed to navigate this time of upheaval, uncertainty, and fear, in view of the recent US presidential election and the rise of nationalism across Europe. The full list of contributors is: Achy Obejas, Alicia Garza, Aya de León, Boris Fishman, Carolina De Robertis, Celeste Ng, Cherríe Moraga, Chip Livingston, Claire Messud, Cristina García, Elmaz Abinader, Faith Adiele, Francisco Goldman, Hari Kunzru, iO Tillet Wright, Jane Smiley, Jeff Chang, Jewelle Gomez, Junot Díaz, Karen Joy Fowler, Kate Schatz, Katie Kitamura, Lisa See, Luis Alberto Urrea, Meredith Russo, Mohja Kahf, Mona Eltahawy, Parnaz Foroutan, Peter Orner, Reyna Grande, Roxana Robinson and Viet Thanh Nguyen.
One of Vulture's "25 of the Most Exciting Book Releases for 2017" One of Nylon's "50 Books We Can't Wait To Read In 2017" An entirely original portrait of a young writer shutting out the din in order to find her own voice On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood.” She was describing how tired she was of correcting her own writing, of the “cramming in and the cutting out” to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression. Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today.
In this innovative synthesis of words and images, the award-winning author of Open City and photography critic for The New York Times Magazine combines two of his great passions. “To look is to see only a fraction of what one is looking at. Even in the most vigilant eye, there is a blind spot. What is missing?” When it comes to Teju Cole, the unexpected is not unfamiliar: He’s an acclaimed novelist, an influential essayist, and an internationally exhibited photographer. In Blind Spot, readers follow Cole’s inimitable artistic vision into the visual realm as he continues to refine the voice, eye, and intellectual obsessions that earned him such acclaim for Open City. Here, journey through more than 150 of Cole’s full-color, original photos, each accompanied by his lyrical and evocative prose, forming a multimedia diary of years of near-constant travel: from a park in Berlin to a mountain range in Switzerland, a church exterior in Lagos to a parking lot in Brooklyn; landscapes, beautiful or quotidian, that inspire Cole’s memories, fantasies, and introspections. Ships in Capri remind him of the work of writers from Homer to Edna O’Brien; a hotel room in Wannsee brings back a disturbing dream about a friend’s death; a home in Tivoli evokes a transformative period of semi-blindness, after which “the photography changed. . . . The looking changed.” As exquisitely wrought as the work of Anne Carson or Chris Marker, Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature. Advance praise for Blind Spot “[Teju] Cole’s fiction and essays are incredible, unexpected, and beautiful; he’s also a spectacular photographer. His first collection of photographs, each image accompanied by his stunning prose, promises to show us the world through his eyes, which always seem to see things in a brilliant new light.”—Lisa Lucas, National Book Foundation “Once you get a taste of [Cole’s] writing, you can quickly (and hungrily) burn through what’s available. Thankfully, Blind Spot will indulge the senses by combining both of Cole’s loves in this . . . full-color collection of Cole’s photos, accompanied by his prose.”—The Week “Many artists have felt the lure of juxtaposing photographs and text, but few have succeeded as well as Teju Cole. He approaches this problem with an understanding of the limitations and glories of each medium.”—Stephen Shore, author of Uncommon Places “Memoir meets museum catalog . . . A strange, cerebral, and very beautiful journey.”—Kirkus Reviews “This ambitious study deserves a spot on the shelf next to Roland Barthes’s Camera Lucida and Susan Sontag’s On Photography.”—Publishers Weekly (starred review) Praise for Teju Cole “The places [Teju Cole] can go, you feel, are just about limitless.”—The New York Times “[Cole is] one of the most vibrant voices in contemporary writing.”—LA Times “There’s almost no subject Cole can't come at from a startling angle.”—The Boston Globe “In following [Cole’s] wanderings, I have often a sense of beholding something more delicate . . . but also more ordinary and more heartbreaking than the eye can typically bear. [His] photographs . . . insist on intimacy, transparency, confrontation.”—Taiye Selasi, author of Ghana Must Go